What to expect.
All production footage and sound synced and exported into 720p cloud friendly files for secure internet sharing. Clients, producers and directors can create a “paper edit” using these dailies, a list of notes paired with timecodes (burned into the dailies as a watermark) helping the editor pull the Assembly Edit together according to the best known material.
A rough cut of all the story’s beats. This includes temporary titles and music, basic sound mixing but no colour correction at this stage.
** All 4K-6K video will be transcoded into 1080p proxies for the Assembly Edit onto the Picture Lock to compliment computer systems. **
Revisions for: story flow, shot choices, sfx, gfx, fonts, title placements and colours, and music. At this point, the story is clear and editing is nearly finished, everything just needs a little fine tuning and finessing to ensure the smoothest experience for viewers.
Every line, shot, sound effect, piece of music, and breath has been reviewed countless times and placed exactly where it’s meant to be.
Colour correction (balancing) for exposure, contrast, tint, saturation and detail. Then colour grading on top of corrections to add a stylistic signature.
Clean sound mixing for either theatre (-24 LUFS) or internet (-14 LUFS) standards. Ensuring dialogue, sfx, background ambiance and music are mixed for immersive, desirable sound.
Promote your film with a trailer and poster created by your editor, giving your promotional materials a signature cohesiveness.